No Plain Jane

Theatre reviews and musings (mostly) from Adelaide

Tag: Marion Potts

A brief note on our new ADs

I am so excited by the current changing of the guard in Australian theatre. I’ve posted links to speeches by Marion Potts of Malthouse before and I just find her ideas about art, theatre, and the creative avenues we can go down compelling and inspiring; a couple of weeks ago I briefly met and spoke to Ralph Myers in the Belvoir St foyer, a theatre which has such a strength in programming this year, and he had a fantastic energy about him and brilliant thoughts to theatre; and tonight, I again briefly met Wesley Enoch of the Queensland Theatre Company after hearing him speak on a panel on the ‘Significance of Indigenous Art in Contemporary Society’ at the Festival Centre, and he is bring such a strong vision and exciting direction to that company.  We might be at the start of something big.

In Short: Marion Potts and God Of Carnage

If you haven’t been passed it on yet, make sure you go and read Marion Potts’ Rex Cramphorn Memorial Lecture, which can be found here (downloads a PDF).  Potts is the incoming Artistic Director at Malthouse Theatre in Melbourne, and she gave an inspiring speech on theatre in this country: its past, its present, and what she hopes to see in its future.  The ideas she will be bringing to Malthouse sound so amazing, I am half tempted to pack up my bags today.

This idea of theatre as the place where we vent, explore, deliberate, imagine who we want to be needs to be at the heart of the company’s work. I want it to be reflected in the collegial and collaborative way I work, not set out as some kind of charter. It needs to be borne of what we do in the rehearsal room, to extend and permeate through the company’s culture in everything from our Education Program to our HR practices. It needs to be felt by our audiences, not told to them, it needs somehow to seep out of the bricks and mortar of our building.

Also, I saw the very funny God of Carnage at the State Theatre Company last night, and my mother says she “thinks it is the funniest play [she’s] ever seen.”  The cast are great, and handle the brilliant melodrama which is Yasmina Reza’s script with aplomb, and I laughed a lot, quite loudly, and it may have afforded me some strange looks from the woman in front of me.  Review to come, but clearly it comes with my recommendation!