Well. For all the craziness of festival season, this blog ended up looking quite neglected. I was too busy having the time of my life interning with the Guardian Culture team, over in Adelaide to cover the Festival. It was intense and wonderful, and – quite honestly – gave me the best festival season of my life.
Their coverage was far and beyond anything I’ve ever witnessed for the arts in this country, and to be part of it was a thrill. If you missed it – or want to relive it – you can catch up on the live blogs for week one and week two; go through the archive here; and read what I wrote about the nature of criticism and The Kreutzer Sonata controversy, a review of What The Body Does Not Remember, and an interview with a company member of Hotel Modern’s Kamp.
On the beautiful new ABC Arts Online website you can also read my reviews of Sylvie Guillem in 3000 Miles Away and Larissa McGowan’s Skeleton, and thoughts about the theatre program in the first ten days of the Festival.
In my other life, I was delighted to see the stunning Symphony of Strange come to life – I couldn’t have asked for a better creative team or a better presentation space, and I am very thankful to Gareth for inviting me in to produce. The show received five stars from The Advertiser and a nomination for Best Dance – so huge congratulations to the team.
There are a few Fringe shows that I should craft my notes into reviews but now the real world is back knocking on my door, to be completely honest I don’t know when you’ll see them. I’ve spent the last two weeks since it all ended in recovery mode: illness has followed illness, all minor but draining. I think it’s just my body’s way of telling me I’m heart-broken about the Festival season leaving us. Or, maybe, that I just need to get more sleep.