Last week ended up being quite the week for new local playwrighting!
Wednesday I made my way down to the Bakehouse to see Molly’s Shoes, which I did not enjoy, and you can read my review of here at Australian Stage Online. I would also like to draw your attention to the commenting form there, rather than here, if you have things to say.
Thursday I went across town to the Director’s Hotel to see Duende Presents: PLAY OFF!, where three local short shows battled it out for further development and a spot in the 2012 Fringe. It was a great event, they packed out the upstairs space in the hotel, and everyone had a fun time just celebrating theatre. My affections were drawn between The Fortitude of Samuel Clemens by Caitlyn Tyler, directed by Dee Easton, for its humour and “fringyness”; and Helen Back by Elena Carapetis, directed by Nescha Jelk, for its power and particularly the performance of Jacqui Phillips. After three nights of audience and industry votes, the pick of the event was The Fortitude of Samuel Clemens, so look out for that work (or perhaps another work from the team?) at next year’s fringe.
Friday I hung out in a rehearsal room of the Adelaide Festival Centre, where I was invited to a moved reading of Little Borders by Phillip Kavanagh, directed by Corey McMahon, which was a fantastically powerful piece in which Elena Carapetis (demonstrating way too much talent for just one week) blew me away. I owe the playwright an email of thoughts, but that’s it in a nut shell!