ightAct10 kicked off last night at Format, and continues tonight at 7pm. Last night opened with a moved reading of Seven Jewish Children, followed by a panel on women in theatre.
I found it a hard piece to watch, primarily because I don’t know a lot of the details about the Israel/Palestine debate, and so I was simultaneously trying to watch and take in the piece while sorting through my mind, trying to anchor the sections of the script to the moments of history they are referring to.
I’m not going to get into a discussion on the themes of the play on my blog, because, love it as I do, writing on the internet is not a safe place to explore my very confused and not fully formed issues on the conflict (to read me being political, scroll down and read about my feminist opinions). I appreciate Churchill’s script for giving me something to think about, but personally I got more out of My Name Is Rachel Corrie at the Adelaide Fringe this year. I hope I will be able to sort though my thoughts and write some more about it in the coming days.
The Woman and Theatre debate, in my eyes, really came to the forefront of debate amongst the Australian Theatre Community at the announcement of Company B’s 2010 season, where there was just one woman in a creative leadership (writer/director) role. Since then there have been talks in Melbourne and Sydney, online and on the radio, and last night RightAct10 brought the debate to Adelaide.
Anne Thompson from The Eleventh Hour and Flinders Drama Centre, Catherine Fitzgerald, recently announced as the STCSA’s new Associate Director for 2011, and Jennifer Greer Holmes, executive producer from Vitalstatistix, made up the panel, and some great issues and opinions were raised and discussed (both among the panel and off the floor), but unfortunately in my eyes, at moments, the debate steered away from the roles and positions of women in theatre, and onto what type of feminism we should subscribe to.