I’m not entirely sure when my life got so busy. Or, perhaps, how I used to fit it all in. I’m currently in Newcastle to speak on a panel called I Started A Blog … Now I’m a Critic for the Crack Theatre Festival as a part of This Is Not Art. Over the next fortnight, I will be in Melbourne, where I am producing Sepia in the Melbourne Fringe, and then it is down to Goolwa for the Regional Arts Australia conference Kumuwuki / Big Wave. I then have a couple of projects I’m working on when I’m back in Adelaide, that I can’t wait to share.
In light of this, I have edited down two pieces I worked on and then were relegated to the “to finish when I have time” pile. I know I can be rather less than brief, perhaps this is the start of a new experiment.
Face to Face was the second stage adaptation of an Ingmar Bergman film I saw this year. I unfortunately didn’t find the time or brain space to write about Persona at Theatre Works, but Alison Croggon does a wonderful job of capturing how the team took this story that was told originally in a film exploitative of the medium, into a play exploitative of its medium. In Face to Face co-adaptors Simon Stone and Andrew Upton approach from a similar place: taking the screenplay and not the film, they create a work which is of the theatre.
In Face to Face we watch the unraveling of the life, and subsequently the mind, of Jenny (Kerry Fox). Through the sparse set (Nick Schlieper), times and places roll over and into one another: the movement of sets on and off the stage in unison choreographed movement with the cast brings some of the most powerful visual images to the work.